A historical spy-thriller set in 1939 about an Estonian intelligence agent tasked with uncovering the Soviet double agent in their ranks.

Nova and National Geographic present exclusive access to an astounding discovery of ancient fossil human ancestors.

The true story of the first Spanish-language radio announcer and political activist, Pedro J Gonzalez

When a phone call wakes up a man from his sleep, he will have to deal with a situation none of us ever imagines will happen to us.

In Paris, 25-year-old Damien has sex with men who pay him. He also has a life in his housing estate, and tries to keep these two lives as separate as possible. But problems start to arise and Damien feels he must make a choice.

Cinema's first openly gay superhero Surge returns for the crossover event of the year. This time Big City's greatest hero must team up with an unlikely hero a vampire who works for GOD named Dawn. Surge and Dawn must work together to save Big City from a new villain Blackout an evil necromancer who seeks to destroy Surge and gain a seat on the Council.

In the era when the communists ruled the city, the red zone of the struggle for power, hid the evil legend of the forest, roaring and fanging, occupying the haunted land for hundreds of years.

Musical actress Noriko feels frustrated by the futility of her affair with a married man. Then she is offered a role in a new production that appears to mirror her own private life... An excellent work that stylishly depicts its gradually evolving heroine.

A TV drama consisting of thirteen episodes about the trans-China/Japan collaboration of revolutionaries in the early twentieth century. It was Nagisa Oshima’s rare attempt to direct a TV drama in a social atmosphere in which Japan was embracing postwar prosperity as well as the effects of permeating mass media. Making an effort to reach out to the mass audience through a seemingly conventional method of filmic representation, Dawn of Asia takes up the epic of trans-Asiatic solidarity while challenging nationalism on both sides.

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.